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Abstract

In the contemporary cognitive militarism, which is fast gaining ground in terms of its popularity, self-narratives are sought to be pitted against the practice of translation. The `self’ in this sense is that which is produced as a result of a process of self-narration or autopoiesis. What is foregrounded in cognitive militarism is not poetic subjectivity, but rather an instrumental subjectivity in the form of auto narration and self-apprehension in the form of self-narratives.

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Creative Commons Attribution-NonCommercial 4.0 International License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

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